Reviews

Review of Lucy Peltz, Facing the Text: Extra-Illustration, Print Culture and Society in Britain 1769–1840
L’Illustrazione 3 (2019): 122–26

Review of Edward H. Wouk, Frans Floris (1519/20–1570): Imagining a Northern Renaissance
Oud Holland Reviews (September 2019)

Review of Suzanne Karr Schmidt, Interactive and Sculptural Printmaking in the Renaissance
Burlington Magazine(November 2018): 980–981

Review of Susanna Berger, Philosophy of Art
Renaissance Quarterly 71/3 (September 2018), 1165–1166

Review of Eric Marshall White, Editio princeps
Journal of the Printing Historical Society New Series 28 (March 2018): 97–98

Review of Kathryn M. Rudy, Rubrics, Images and Indulgences in Late Medieval Netherlandish ManuscriptsPiety in Pieces, and Postcards on Parchment
The Library (June 2018), 231–232

Review of Tributes to Jean Michel Massing, ed. Mark Stocker/Phillip G. Lindley
Burlington Magazine CLX (January 2018): 74

‘A Renaissance Art History of the Blockbook Canticum canticorum’ (review of Marilyn Aronberg Lavin, Allegory of Divine Love)
Print Quarterly 34/3 (2017): 319–324

‘Renaissance Colour Prints at the Royal Academy are Unmissable’ (review of Renaissance Impressions, Royal Academy of Art, London)
The Conversation (2014)

‘Printing the Rainbow’ (review of Michael Twyman, A History of Chromolithography), Apollo (Dec 2013): 112–13

Review of Byron and Politics: ‘Born for Opposition’ (Maughan Library, Kings College London)
SHARP News (Society of the History of Authorship, Reading and Publishing) 22/4 (Autumn 2013): 14

‘White Spirit’ (review of Victoria George, Whitewash and the New Aesthetic of the Protestant Reformation)
Apollo (June 2013): 124–25

‘Celebrating Maximilian I’s Augsburg’ (review of Gregory Jecman and Freyda Spira, Imperial Augsburg)
Print Quarterly 30/2 (June 2013): 183–86

‘Crafting Prints’ (review of Ad Stijnman, Engraving and Etching 1400–2000)
Apollo Magazine (February 2013): 92–93

‘Review of Shakespeare: Staging the World (British Museum)
SHARP News (Society of the History of Authorship, Reading and Publishing) 21/4 (Autumn 2012): 18

‘Printed Paintings’ (review of Hercules Segers and his ‘Printed Paintings’, British Museum)
Apollo (March 2012): 178–179

‘The Wonders of the Kunstkammer: Hapsburg Collections Come to Cambridge’, review of Splendour & Power: Imperial Treasures from Vienna (Fitzwilliam Museum)
Bulletin of the Society for Renaissance Studies (April 2012): 10–13

‘Plays of Light and Blazes of Colour’ (review of Melanie Grimm, et al., Lichtspiel und Farbenpracht)
Print Quarterly 29 (March 2012): 48–49

‘A Happy (Re)marriage’ (review of Ad Stijnman/Claudia Kleine-Tebbe, Hochzeit von Bild und Buch)
Print Quarterly 27/4 (December 2010): 401

 ‘A Visual Timeline for A Heavenly Craft’ (review of A Heavenly Craft, ed. Daniel De Simone)
Print Quarterly 26 (December 2009): 371–373