Articles

Articles, Chapters & Exhibition Catalogue Entries

Identifying Hans Baldung Grien’s Colour Printer, c.1511–12

 Burlington Magazine 161 (October 2019): 830–839

Award

2020 Schulman and Bullard Article Prize: Savage ‘illuminates the networked nature of printmaking’

Association of Print Scholars, for ‘compelling and innovative research on prints or printmaking’

Hans Wechtlin, Christus am Kreuz mit Maria, Johannes und Maria Magdalena, um 1510

Hans Baldung Grien. Heilig | unheilig, ed. Holger Jacob-Friesen (Karlsruhe: Staatliche Kunsthalle Karlsruhe; Deutscher Kunstverlag, 2019), 296–297, no 136

Hans Baldung Grien, Christus am Kreuz zwischen Magdalena, Johannes und Maria, um 1510–12

Hans Baldung Grien. Heilig | unheilig, ed. Holger Jacob-Friesen (Karlsruhe: Staatliche Kunsthalle Karlsruhe; Deutscher Kunstverlag, 2019), 296–297, no 137

Dating of a Unique Six-Colour Relief Print by Historical and Archaeometric Methods

Armida Sodo/Ludovica Ruggiero/Stefano Ridolfi/Elizabeth Savage/Luca Valbonetti/Maria Antonietta Ricci

European Physics Journal Plus 134, special issue: Scientific Research in Conservation Science (June 2019): 276 (9 pp.)

Printing Music: Technical Challenges and Synthesis, 1450–1530

Elisabeth Giselbrecht/Elizabeth Savage
Early Music Printing in German-Speaking Lands, ed. Elisabeth Giselbrecht/Andrea Lindmayr-Brandl/Grantley McDonald (London: Ashgate, 2018), 84–99, plates 1–17

Hans Burgkmair’s Colour Prints: An Overview

Hans Burgkmair. Neue Forschungen, Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, ed. Wolfgang Augustyn/Manuel Teget-Welz (Passau: Zentralinstitut für Kunstgeschichte/Dietmar Klinger, 2018), 333–366

Une histoire des matériaux et techniques de l’impression en couleur en Occident / A History of the Materials and Techniques of Colour Printing in the West

Elizabeth Savage/Ad Stijnman

Under the Rainbow, ed. Tatiana Rihs (Lausanne: Ecole cantonale d’art de Lausanne, 2018), 199–222

Hans Burgkmair, L’Emperor Maximilian à cheval

Séverine Lepape/Elizabeth Savage

Gravure en clair-obscur. Cranach, Raphaël, Rubens, ed. Séverine Lepape (Paris: Musée du Louvre/Liénart, 2018), 36–39

                           

Hans Burgkmair, Couple d’amants surprise par la Mort

Séverine Lepape/Elizabeth Savage

Gravure en clair-obscur. Cranach, Raphaël, Rubens, ed. Séverine Lepape (Paris: Musée du Louvre/Liénart, 2018), 44–45

                           

Anicius Manlius Boethis, De consolatione philosophiae

Colard Mansion: Incunabula, Prints and Manuscripts in Medieval Bruges, ed. Evelien Hauwaerts/Evelien de Wilde/Ludo Vandamme (Heule: Snoeck; Bruges: Groeninge Museum, 2018), 83

Alain Chartier, Le Quadrilogue invective

Colard Mansion: Incunabula, Prints and Manuscripts in Medieval Bruges, ed. Evelien Hauwaerts/Evelien de Wilde/Ludo Vandamme (Heule: Snoeck; Bruges: Groeninge Museum, 2018), 84

Die Farbholzschnitte von Lucas Cranach dem Älteren: Werke und Druckzustände

Lucas Cranach der Älter. Meister Marke Moderne, ed. Gunnar Heydenreich/Daniel Görres/Beat Wismer (Düsseldorf: Hirmer; Museum Kunstpalast, 2017), 58–62

The Mystery of the Scrappy Fragments: Untangling Robert Steele’s Discovery of Frisket Sheets

Printing History (American Printing History Association) New Series 19 (Jan 2016): 16-32

New Evidence of Erhard Ratdolt’s Working Practices: The After-Life of Two Red Frisket-Sheets from the Missale Constantiense (1505)

Journal of the Printing Historical Society New Series 22 (Spring 2015): 81–97 

Art in Print 5/2 (July-Aug 2015)

Jost de Negker’s Woodcut Charles V (1519): An Undescribed Example of Gold Printing

Art in Print 5/2 (July-Aug 2015): 9-15

‘Material Colours’: The Heritage of Colour Knowledge in Seventeenth- and Eighteenth-Century Printshops

Ad Stijnman/Elizabeth Savage

Colour Histories: Science Art, and Technology in the 17th and 18th Centuries, ed. Magdalena Bushart and Friedrich Steinle (Berlin/New York: De Gruyter, 2015), 95-113, 364-369

A Historical Overview of Printed Colour before 1700

Ad Stijnman/Elizabeth Savage

Printing Colour 1400-1700: Histories, Techniques, Functions and Receptions, ed. Ad Stijnman/Elizabeth Savage (Leiden: Brill, 2015), 1-7

Colour Printing in Relief before 1700: A Technical History

Elizabeth Savage

Printing Colour 1400-1700: Histories, Techniques, Functions and Receptions, ed. Ad Stijnman/Elizabeth Savage (Leiden: Brill, 2015), 23-4

A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476-c.1600

Elizabeth Savage

Printing Colour 1400-1700: Histories, Techniques, Functions and Receptions, ed. Ad Stijnman/Elizabeth Savage (Leiden: Brill, 2015), 93-102

Red Frisket Sheets, c. 1490–1700: The Earliest Artefacts of Colour Printing in the West

Papers of the Bibliographical Society of America 108/4 (Dec 2014): 477–522

Awards

New Scholars Award

Bibliographical Society of America

Mark Samuels Lasner Fellowship in Printing History

American Printing History Association

Color Prints before Erhard Ratdolt: Engraved Paper Instruments in Lazarus Beham’s Buch von der Astronomie (Cologne: Nicolaus Götz, c. 1476)

Ad Stijnman/Elizabeth Upper
Gutenberg-Jahrbuch 89 (2014): 86–105

Flying Colours

Apollo: The International Art Magazine (June-July 2014), 44-49

Glittering Woodcuts and Moveable Music: Decoding the Elaborate Printing Techniques, Purpose and Patronage of the Liber selectarum cantionum (1520)

Elisabeth Giselbrecht/Elizabeth Upper, in Senfl-Studien I, ed. Birgit Lodes and Stefan Gasch, 17-67, Wiener Forum für ältere Musikgeschichte 5 (Tutzing: Hans Schneider, 2012)

Dr Livingstone’s Lament: An Unpublished Letter by David Livingstone

Above 11 (Winter 2009): 86-87

Earth Movers: Quaking up Land Art’s Legacy of Feminism

Nancy Thebaut / Elizabeth Upper

Bitch 48 (Fall 2010): 36-42

Zao Wou-Ki and the Art of Nature

Above 13 (Spring 2010): 166-83